Lively verbs and complementary grammatical phrases

run           drive         hopped        play          sleep         crawl
dig           build         write        jump          walk         whistle
rake         love          dressed             hop           look          call
jog           jumped              sing          swim         grow         push
played       read         move         pull          talk         eat     smiled

What is it? A collection of...yes verbs! A collection of random verbs a teacher gathered from year 4 students. Great! The students know what verbs are!
When perusing the above random collection of verbs, questions arise:   

     Where is there a pattern with these verbs (functional grammar term ‘processes’)?
     Where is the connection to writing?

     Where is the learning about various verb types?
         
But two aspects that are of interest in this ‘teaching thought’ are:                 
Where is the ‘oomph’ in the above verbs?
Can verbs be given ‘oomph’ when complementary grammatical forms (noun phrases and adverbial /prepositional phrases) are added?
...............................................................................

The same teacher who had collected the random verbs from the students, asked me how he could make his student’s writing more inspiring. He wanted his children’s daily written stories to have ‘oomph’.

Teachers of grade 3 on, may think that stories with few words should not be used with older students, but I believe  when older children are learning about the English language short pieces are excellent examples to use, A necessary requirement is that teachers select models to inspire children. Readers encounter in good picture books, big books, novels a far greater range and use of language than we ever experience in our day-to-day living. Published texts are the models that show students the techniques authors use to make meaning clear; the vocabulary and language structures that lead to creating stimulating ideas.


Adopting a constructivist approach where learners build knowledge upon the foundation of previous learning (we knew that the children know what verbs are), we began with a fun approach. The children learnt about onomatopoeic verbs - words that resemble sounds associated with actions they refer to.  

For example, the big book, Trouble in the Ark  by Gerald Rose,

It was fly who started the trouble.
He buzzed the mouse
Who squeaked at rabbit
Who squealed at rhinoceros
Who snorted at parrot
Who squawked at snake
                                  And the verbs keep tumbling on in the story.

We gave the children pictures of animals and they wrote animal names and their corresponding sounds on paper strips (this could be done on the computer).  Alligators grunt, apes gibber, donkeys he-haw, eagles scream, elephants trumpet, bears grrrr, flies bzzzz, birds chirp, bulls bellow, frogs ribbit, chickens cluck. Using these strips they then innovated on the story, ‘Trouble in the Ark’. A child’s prose writing example being,

                                It was the alligator who started being annoying,
                                He grunted at the ape
                                That then gibbered at the donkey
  That then he-hawed at the...

We found mainly humorous stories which we knew the children would enjoy, maybe some with only 3 lively verbs but nonetheless good models. So the verbs would not dart across the children’s minds and be forgotten we introduced ‘lively verb’ games and children verbalized and wrote short poems and furthermore the ‘lively verbs’ we found in books were included in the student’s spelling regime. And to widen, further, the children’s view of lively verbs the original verb list was used as a foundation to find more, similar meaning verbs in the thesaurus. The children were encouraged to include lively verbs in their narrative writing.

From the ‘oomph’ verb models of those written in Trouble in the Ark, we moved to a wonderful story which not only had onomatopoeic sound verbs but other lively verbs that resembled actions. These were complemented by noun phrases answering the question can verbs be given ‘oomph’ when complementary grammatical forms are added?

The class learnt about noun phrases, articles, adjectives and conjunctions added to the noun to give more meaning, We used the story below, (I cannot now find the author or title somebody may know it and let me know).

Summary of the beginning of the story: The old cow wouldn’t “moo”, the farmer wanted to put her in the wheelbarrow, but other animals were already in the wheelbarrow. So the old woman was shifted out of bed for cow and understandably...

the funny old woman flipped up on her head.                     (You could choose more mundane verbs and compare)
“It’s really quite cozy here”, she
gulped

Then late that night the funny old man
Carted the funny old cow to town.
They
rolled in the light of the bright full moon ‘til they found old Doc Brown.
The doctor
thumped on the cow’s hide
he
tickled her tonsils and looked inside.
Old man,”
croaked the doctor, “your cow’s not sick.
She merely wanted the ride!“
The old man
cried, “Can this be true?”                                             
The cow replied with a jolly, “Moooooo.”    
(What was ideal with this model is that children saw that the author did not  always include the adjective. We discussed the need for variety.)

Later we revisited this same prose to highlight adverbial phrases and prepositional phrases. (Functional grammar descriptors ‘circumstances’,  ‘qualifiers’),


The children learnt that adverbial phrases give more information to the verb and prepositional phrases more information to the noun phrase.
Initially, it was confusing as both types of phrases link to the idea of ‘where’. However, knowing well the forms ‘verb’ and ‘noun phrases’ the children easily recognized the adverbial adding detail to the verb and the preposition adding detail to the noun phrase. For example, we not only knew that the woman was a ‘funny old woman’ who performed the action ‘flipped’ (verb) ‘up on her head’ (adverbial phrase), we discovered  where ‘the funny old cow’ (noun phrase) travelled ... ‘to town’ (a preposition followed by a noun (or noun phrase).

...the funny old woman flipped up on her head.   
“It’s really quite cozy here”, she gulped
  
Then late that night the funny old man
Carted the funny old cow to town.
They
rolled in the light of the bright full moon ‘til they found old Doc Brown.
The doctor
thumped on the cow’s hide
he
tickled her tonsils and looked inside.
“Old man,”
croaked the doctor, “your cow’s not sick.
She merely wanted the ride!“
The old man
cried, “Can this be true?”                                              

The cow replied with a jolly, “Moooooo.”  
 
To reinforce the learning about lively verbs, noun phrases and adverbial phrases or prepositional phrases the children were given sets of three cards and three different coloured pens. In groups of three they made phrases and verbs and swapped cards with other groups to re-form another group’s sentence (many humorous sentences evolved). 

We moved to excerpts from novels and these were enlarged, discussed, compared with more simple expressions, written over and made into cut-up sentences to manipulate. Joint constructed (shared) writing was included and during individual conferencing the classroom teacher pointed out to writers where an adverbial phrase or propositional phrase could be inserted in their writing
Dust in my eyes (Janeen Brian)
 
This excerpt has adverbial phrases and prepositional phrases and compound verbs, (functional grammar terminology ‘verb groups’) and I will leave you to find the rest of the noun phrases. 

Jacey stared out of her bedroom window, absentmindedly flicking off the dead flies on the sill. The unrelenting dry days seemed to have sucked the life out of everything... 
 
Grabbing her hat, Jacey headed for the door.  Jacey slammed the flyscreen door of the homestead and marched across the dusty yard towards the stables.


George’s Marvellous Medicine (Roald Dahl)
This excerpt includes compound verbs and adverbial phrases. I will leave you to find the noun phrases.
 
[George] was tired of staring at pigs and hens and cows and sheep. He was especially tired of having to live in the same house as that grizzly old grunion of a Grandma.
 
Once we paid attention to lively verbs and noun phrases and adverbial/prepositional phrases they leapt out at us from all kinds of writing (including non-fiction texts). Rather than compartmentalizing ‘nouns’ and ‘adjectives’, the children seemed to remember and write with ease noun phrases.  Adverbial /prepositional phrases took a little longer for some children to apply in their writing.
 
What was rousing, gradually many of the children’s sentence structures were giving action and place images which created far more interesting stories. Also, with all the published models that we read and discussed some other writing techniques, (although not explicitly taught) were adopted by many of the children.
See what stories you can find with explicit, lively verbs, noun phrases and adverbial /prepositional phrases and let me know. I will pass a list on to readers in one of my blogs.

An aside. We begin with reception/kindergarten children writing ‘run’, ‘jump’, ‘hop’, ‘play’, ‘look’, ‘love’, ‘sing’. It is great even in those first year classes for teachers to refer to action words as verbs (processes) and of course the noun (participant). As the children mature in those early years introduce ‘noun phrases’ e.g. The small boy can run.

Brian, Janeen. 1995. Dust in my eyes. Era Publications. Adelaide South Australia.
Dahl, Roald. 1982. George’s Marvellous Medicine. Penguin Books. London.UK
Rose, Gerald. 1980.Trouble in the Ark,. Ashton Scholastic. Sydney. Australia.

For the next months I shall be marking Flinders University student’s assignments, preparing for a special day and travelling overseas.

I will begin writing some more ‘teaching thoughts’ in the New Year 2012. so a very happy Christmas holiday to you. Remember you can write to me. You have, I am sure, some wonderful ‘teaching thoughts’ to share with a wider audience.

Have a look at my books. They are set out almost as complete programmes for you to access, especially handy for new teachers and teachers wanting to implement effective spelling and writing genre programmes and programmes that challenge children to think critically and creatively. Especially pertinent, how to implement inquiry and thinking book clubs in your classroom.

                                                                               

GROUPING THEMED ADJECTIVES TO MAKE STUDENT’S WRITING MORE INSPIRING

Summarizing is not easy to do. Children easily slip into retelling so it is worthwhile to begin by comparing the two, “This is how summarizing sounds …” “This is how retelling sounds …” You can also do this with what it looks like to critique or to write a journal.

Summarizing is different from retelling, critiquing and writing a journal. When summarizing, the writer analyses the material with this question in mind, “Is this a main point?’ Summarizing is concise and succinct. It is different to critiquing (analyzing in order to make judgements) or writing a journal (diary or record of feelings etc). But for students to critique and write journals they need to know the main ideas of a text.

Pre skill students in the art of summarizing fiction
Summarizing is relating the main ideas of a story. So what are the main points in a story? To me the theme is the first to mention, “This story is about relationships.” Then briefly relate the character’s actions and the turning points of the plot – the cause, the problem, the effects and the solution. Of course, the story ending is included.

In your classroom you can display a framework:

Fiction:
A sentence or two about:
·         how the story began, who, when, where; include the naming of the characters
·         the cause of the problem
·         the problem (and there may be multiple problems) and what was the effect of the problem(s)
·         how the problem was solved
·         how the story ended, the resolution
This framework is modelled and practised by the students before they are expected to independently summarize.

Pre skill students in the art of summarizing non-fiction
When summarizing an article or information the student first determines the THEME – the recurrent argument or message or main facts. For example, the theme in an article about Electrical Energy may be the impact electricity production has on the environment. There may be other main points (these are often termed as interesting points) that you add, but consider that a summary is short and without detail.

To help you find the main points examine the title, for example, A day without electricity? What does this title tell you? The introduction, What is electricity? The headings, How electricity is produced? Key words and phrases electrical energyis most commonly known as electricity. Also topic sentences (at the beginning of paragraphs), for example, Electrical energy is our most widely used form of energy and the conclusion helps to ascertain the main ideas.

In your classroom you can display a framework:

Non-Fiction:
Identify and link the important ideas from:
  • Read, what is the theme?
·         The title
·         The headings
·         The first sentence of the paragraph (topic sentence)
·         Key words (maybe written in bold print) and phrases in each paragraph
·         The graphics, for example, diagram labels, picture labels, caption labels
When modeling the relationship between the main ideas and topic sentences, key words and phrases, examine a paragraph at a time and ask these questions, ‘Is that a main point or an interesting point?’ ‘Should that be considered a main point?’

Have activities such as:
·        Two students working together and listing the main points of a story read aloud using a graphic organizer such as a story map.
·        Listing lots of points in a 2 column journal (graphic organizer) – short statements and discard those that they agree are not so important.


MAIN POINTS
INTERESTING IDEAS




I have given students I have worked with a small post-it note and tell them that they use one side to write the main idea. It seems to work!

From Liz Simon’s, Thinkers and Performers, Bringing Critical Thinking Alive. Published by Hawker Brownlow Education (Victoria), in 2010.
‘Summarising’ and other study skills are written about in Chapter 6 (page 124-128) and chapter 9, Thinking and performing in Book Clubs, (page 154-158).























SUMMARIZING

Summarizing is not easy to do. Children easily slip into retelling so it is worthwhile to begin by comparing the two, “This is how summarizing sounds …” “This is how retelling sounds …” You can also do this with what it looks like to critique or to write a journal.

Summarizing is different from retelling, critiquing and writing a journal. When summarizing, the writer analyses the material with this question in mind, “Is this a main point?’ Summarizing is concise and succinct. It is different to critiquing (analyzing in order to make judgements) or writing a journal (diary or record of feelings etc). But for students to critique and write journals they need to know the main ideas of a text.

Pre skill students in the art of summarizing fiction
Summarizing is relating the main ideas of a story. So what are the main points in a story? To me the theme is the first to mention, “This story is about relationships.” Then briefly relate the character’s actions and the turning points of the plot – the cause, the problem, the effects and the solution. Of course, the story ending is included.

In your classroom you can display a framework:

Fiction:
A sentence or two about:
·         how the story began, who, when, where; include the naming of the characters
·         the cause of the problem
·         the problem (and there may be multiple problems) and what was the effect of the problem(s)
·         how the problem was solved
·         how the story ended, the resolution
This framework is modelled and practised by the students before they are expected to independently summarize.

Pre skill students in the art of summarizing non-fiction
When summarizing an article or information the student first determines the THEME – the recurrent argument or message or main facts. For example, the theme in an article about Electrical Energy may be the impact electricity production has on the environment. There may be other main points (these are often termed as interesting points) that you add, but consider that a summary is short and without detail.

To help you find the main points examine the title, for example, A day without electricity? What does this title tell you? The introduction, What is electricity? The headings, How electricity is produced? Key words and phrases electrical energyis most commonly known as electricity. Also topic sentences (at the beginning of paragraphs), for example, Electrical energy is our most widely used form of energy and the conclusion helps to ascertain the main ideas.

In your classroom you can display a framework:

Non-Fiction:
Identify and link the important ideas from:
  • Read, what is the theme?
·         The title
·         The headings
·         The first sentence of the paragraph (topic sentence)
·         Key words (maybe written in bold print) and phrases in each paragraph
·         The graphics, for example, diagram labels, picture labels, caption labels
When modeling the relationship between the main ideas and topic sentences, key words and phrases, examine a paragraph at a time and ask these questions, ‘Is that a main point or an interesting point?’ ‘Should that be considered a main point?’

Have activities such as:
·        Two students working together and listing the main points of a story read aloud using a graphic organizer such as a story map.
·        Listing lots of points in a 2 column journal (graphic organizer) – short statements and discard those that they agree are not so important.


MAIN POINTS
INTERESTING IDEAS




I have given students I have worked with a small post-it note and tell them that they use one side to write the main idea. It seems to work!

From Liz Simon’s, Thinkers and Performers, Bringing Critical Thinking Alive. Published by Hawker Brownlow Education (Victoria), in 2010.
‘Summarising’ and other study skills are written about in Chapter 6 (page 124-128) and chapter 9, Thinking and performing in Book Clubs, (page 154-158).























'Wordle' for you!

I wish I had ‘Wordle’ when I was teaching in the classroom, “word clouds” from text that you provide. Thank you, Jonathan Feinberg for creating this simple, pleasurable tool for children (and teachers) to use when motivating competency in spelling.
There are ways to utilize ‘Wordle’. Children can check their own mastery of spelling from a created ‘word cloud’ (dictionaries may come to the fore in this scenario) or teachers can take a hard copy of a child’s ‘word cloud’ and write annotations; inserting the correctly spelt word and/or alternatives alongside the incorrectly spelt word. Latter, children decide which is correct. Children can also be directed to find ‘better’ words. All that is needed is for children to use is the word processor (I use MS Word) and write a piece (figure 1). They press the internet explorer icon and type in the web site www.wordle.net go to ‘create’ and copy/paste their piece in ‘a bunch of text’, press ‘go’ and a word cloud is printed. Wordle sets out the words in random order, with different sized font and colours.
I would not use ‘Wordle’ every day of the week as I know that face-to-face conferencing is a special time; a time when children see the value of re-reading and finding what went wrong in their continuous text. Working with a student is a time for building relationships, holding a discussion about how to improve writing (and spelling). But to vary the scene ‘Wordle’ is a fun activity and the children’s clouds can be added to the ‘Wordle’ gallery.
I have had a child’s ‘word cloud’ in my hand when discussing spelling attempts during conferencing.  And of course, you demonstrate to children how they look into the ‘word cloud’ to find their spelling errors. A good introduction to this is for the class to go outside and look into the clouds and see what shapes there are. Looking closely is an important part of spelling awareness.
Figure 1            An example of a child’s writing using MS Word:
We have just been to the zoo. The techr says that zoos have changd a lot  Animals usd to be in cages and look out thrugh bars and walk on conkret floors Now they live like they wood in their own world. The baboon must have hated looking out through bars. We went to where the animals food is put together. The part I didnot like was that some zoo animal eat live animals. That made me feel sick.
Open up Wordle www.wordle.net press Create and copy the child’s on-screen writing Paste the child’s writing into the text box. On the example hard copy (figure 2), I wrote annotations - some correct spelling, some alternatives to choose from, given a meaning, challenged the child to think again about his spelling and directed the child to an action verb.

Figure 2

For Parents School Initiated Home Reading

Yes! I was a mother before training to be a teacher. I know what it is like at the end of the working day to have children reading to me when I just want to flop. And if the child has a book he or she cannot read fluently, the frustration sends your ears popping, especially if you feel you are not able to remedy the situation, except through enticements, “Hurry up and finish reading that page and I will give you a treat.”

Studies have found that parents who are taught specific strategies to use with their children were twice as effective as those who listened to their children read, unaware of strategies.

Somehow being able to tell your child a strategy also helps the feeling of annoyance.

Studies have found that fewer children are reading for pleasure; they feel that reading is task oriented rather than relaxing and enjoyable. We want reading to be a life-long pursuit.

Some children may be reluctant readers and ultimately, your relationship is more important than any book or reading session.

But let’s turn all this around.
Firstly think of children’s reading time as a time when you forge close relationships. Set your mind (like an alarm clock), 3.30pm (as an example), is my time with my child. You have something in common... this book to read. Have in your mind that when a child and you are together you stop (even if hubby is calling, “Where’s me dinner?”) for 10-15 minutes, each day or evening, 5 times a week. Establish this daily routine. And by the way, dad as well as mum, captures this time with his child.

Let your child (even in their first year at school) choose his or her own book from the classroom basket; they look at the pictures on the cover and you tell the title. Children always hold their own books as they read (I often take the book in my hand, and after a while remember to hand it to the child!)

Some levelled books begin at the ‘just right’ level for the child but then further pages may be at a more complex level.

Always show a great interest in the book your child has chosen. Begin the reading time by browsing through the book, discuss the title and illustrations, characters and places (you tell character and place names) and as you do this you may spy unfamiliar words which you bring to your child’s attention. If you can relate the story line to other experiences the child may have had, that is great ... “Do you know what this is like...?”

Let your child read. Now this does have to be ‘alone’ reading - paired reading or “You read a page and I will read a page” also happens.

Stay calm when your child makes mistakes or forgets a word. Give them a few minutes to solve the problem but then TELL and after the reading show one strategy that child could have used. If the occasion is suitable you can forward a strategy to your child during the reading (at the end of the page or paragraph). Don’t confuse them by giving multiple strategies. Some important strategies to pass on to your child are:

You know the story so what do you think that word could be?
What does the word begin with?
Can you see a small word?
Can you see double letters?
What does the word end with?
Read again that sentence to help you read that word
Think about the story as you read
Listen to yourself read

After the first reading, your child re reads the story.

Reading is about making meaning as a child reads. Often you can tell meaning is being made when they read smoothly, without help and especially when they make an error and they self-correct it. Also children’s reactions to the story, “That was SOOO funny...” lets you know that the child is thinking as he or she is reading.

After reading let your child talk about the story. If the book hasn’t got much going for it, you ask questions within a chatty atmosphere (as you do when you read stories to your child), “What part did you like best?” “How did the story begin?” What was the problem” How did the character solve the problem?” “How did the story end?” “Fancy that happening”, “What would you have done if you experienced that?” “What was that information about?”
........
Often teachers have parents alerting them to their child’s reading being too easy. Do not worry whether book is at the right reading level or that comics are less appropriate than books, or chapter books are better than small books or picture books. What is important is your child enjoying reading. Teachers have an assessment tool called Running Records/Comprehension questions that shows whether your child is reading fluently and understands the content and this will keep children close to their ‘just right’ level.

Vocabulary has a big impact on reading. The more words a child reads automatically the more fluent and expressive is their reading; comprehension is not interrupted by a child trying to decode a word.

Some hints that allow children’s yearning to read to develop:
·        Encourage talk before and after reading; predicting what the story may be about, retelling the story or information, a little bit of play acting or story extensions...”What do you think will happen when the hen finds out that she is alone?”
·        Let your child talk about their good experiences of ‘reading and understanding’ that happened at school, a film they have just viewed, the newspaper item grandpa tells and so on.

·        For early readers interpreting a story through pictures is an important step to independent reading and understanding.

·        During the holidays visit the local library. Libraries have story-telling and children borrow their own books. Make sure that you do not take ownership of your child’s choices.

·        Not all books are read cover to cover – lot of books appeal because of photographs or illustrations. Parts of factual books maybe read, while other parts are looked at.

·        Lots of other reading besides books can be done – internet and computer games, reading signs, magazines, newspapers. You can be peeling the potatoes and listening to your child reading, “Does that make sense?” Try and not supply the word, instead make suggestions, “Go back to the beginning of the sentence and reread it”. “Look at the pictures”.

·         Don’t give up reading to your child, no matter their age. Reading aloud stories at home introduces unique language opportunities; learning new language (often words that are not in day-by-day interactions), sentence structures, ideas that broaden children’s horizons. Reading aloud supports the development of your child’s independent reading.

·        Make books visible at home where a child chooses a book for you to read aloud, or for the child to read independently.

Wanting to read is essential. Forced to read dulls the desire.